GUILLERMINA obtained the recognition “Outstanding women in tango“ by the Argentinian Congress, and chosen as Best Tango Dancer in 2016 by the New York Times. As a performer has been several times on Broadway with Forever Tango and the mythical and original Tango Argentino; with Julio Iglesias, on his three years worldwide tour, performed on the most eccentric and biggest stages around the world. Actress and choreographer in “Valentina’s Tango” filmed in Hollywood, on the leading rol of Valentina. Her own production "Tango, historias breves" were on tour in several cities in USA and Buenos Aires.

Guillermina was a soloist Tango couple  on the opera rock EVITA at New York City Center, and also performed at Carnegie Hall, with the Rochester Philharmonic orchestra and on the Broadway hit "Tango Argentino" on the closing ceremonies of World Tango championship at Obelisco in Bs As.
MARIANO has been teaching and performing in different Tango Festivals and productions around the world, as: Evita at New York City Center as a soloist Tango couple, Carnegie Hall NY; Lincoln Center, NY with Dock Sud band; Tango of the Americas at Kennedy Center in Washington DC with Panamerican Symphony orchestra; Kodak Theatre in Rochester with the Philharmonic orchestra; Judge at US official Tango Championship; Festivals in Stowe, Boston, New York, Shanghai, Hong Kong, France, Naples, Buenos Aires, San Antonio, Boulder, San Francisco. He danced with Tango Argentino at the closing ceremonies at the World Tango championship at Obelisco in Buenos Aires in 2021. Mariano performed at Malbec World Day 2022 at the Argentinian Embassy in Washington DC, and at the Fragata Libertad in Baltimore. 
They have been dancing together since 2016.

Since 2019, Giselle Anne and Diana Cruz have been weaving their expertise into a rich, ongoing collaboration focused on the deeper study of tango from the perspective of the woman’s role. Their joint work offers a (other) look into the structure, technique, and rhythm of tango — examining the dance not only from the viewpoint of the follower, but as a way to illuminate the intricate architecture of the tango couple as a whole.

Their classes challenge conventional labels. This is not merely “women’s technique,” nor is it a class about role reversal or embellishments alone. Rather, it is a serious, nuanced inquiry into the mechanics, musicality, and shared language of the dance —analyzed through the lens of the follower's experience. It is about revealing what both roles must understand in order to co-create.

Giselle and Diana deconstruct the tango dialogue, inviting dancers of all roles and genders into a space of greater awareness and precision. Their mission is not to redefine roles, but to study the dance in depth: to articulate what often goes unnamed, and to offer tools that elevate both leader and follower in their shared craft.

Fiona & Nick delve to the core of tango, how do we communicate? From first day to performing, they spend their days helping dancers find their voices. Fiona knows that “to be fond of dancing is a certain step towards falling in love.” She was the president of the CU Tango Club, where she met Nick in 2005. She half-hails from a land of petticoats and pettifogging, England, where she DJed, taught, and organized for visiting teachers. When not dancing, you can find her playing tango violin and Baroque recorder, studying Anthropology, and hosting a radio show on KGNU. Nick Jones is just a “hoofer with a spare set of tails.” These he keeps in the Library for emergencies along with ’78 RPM records and bizarre musical instruments. He started dancing tango in 1996 and playing bandoneon in 2002. He put together a tango quartet, Tangozo, in 2020.